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New work: between the imagination and the editing window
I’ve received funding from the Leverhulme Trust to work with Radio France Internationale or RFI in Paris. We’re going to learn more about how programme-makers conceptualise their stories and interact with their editing software (and other people!) to bring them to life the way they want. There has been lots of work on the craft… Read more
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Cuts, fades and layers: what role do editing technologies play in the way we conceive of and tell stories in sound?
Audio journalists and documentary makers who use binaural, or other spatial audio formats, talk about the need to think and work differently, planning sound scenes in 3 dimensions before you record, avoiding usual techniques such as layering audio tracks or making frequent cuts. Sometimes they told me you don’t need to use the presenter to… Read more
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